Tag Archives: learning

A Jumble of Gibberish

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We have had Goldfinches and Greenfinches in the garden a little more regularly over the last few weeks and the behaviour of the Great Tits is changing. I suspect they are looking for a nest site.

We also have a lovely patch of violets in the middle of the lawn.  We didn’t, after much upheaval, get much done in the garden last year, and I doubt we will get much done this year either. it always seems we have something else to.

I took this whilst waiting for Julia in Matlock. I think it was Matlock . . . my memory is not what it was

Julia is out wood turning and I am doing various things, though mainly rattling off nonsense on the computer. I’ve just done a couple of political blog posts and deleted them, and replied to an editor who has accepted a haibun. And looked up DARVO, which cropped up in a comment relating to yesterday’s post.

I expect Julia will be home shortly, and that will mark the halfway point of my day. It also, as I write that, marks the halfway point of the post. It can be a long old slog when you have imposed a limitation on discussing politics.

I’ve been letting my personal grooming slip recently and my hair, after a couple of weeks of neglect, was getting quite long. I say “quite long” – possibly a quarter of an inch or a little longer. That, I feel, is quite impressive for a couple of weeks. It’s winter and I’m old so it should grow slower than average.  It just goes to show that though I no longer have much hair, what remains is still quite active.

Brick from Watnall Pit Bickyard – I mantione dthese somewhere recently but can’t remember if it was in the blog.

I did wonder, as I started cutting, whether the shaver would cope. let’s just say it was marginal. I did manage to cut my hair back to the scalp but the cutters protested and I had to clean quite a lot out as i went, as they kept stalling.

The lesson I gained from that, Is that I need to stick to a regular regime of hair cutting, regardless of whether I feel under the weather or my head feels cold. I also have an idea for a haibun as a result of my hair cutting experiences.

So with several learning experiences and inspiration for a poem, I have to say that it’s been a good day so far.

Fish Pie – a healthy alternative

When Julia returns with two pensioner special fish and chip portions it will be an even better day, though slightly bitter-sweet. After much heart-searching I have decided it is time for a major review of my eating habits, and the first casualties are likely to be fried food and carbohydrates. I will have fish and chips again, but it could be some time in the future.

 

 

 

 

Friday Comes so Soon!

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Yes, I missed a day gain, but I have  good excuse. I slept until just past midnight, woke up and decided to sleep instead of write. Mentally I feel better for it. Conscience-wise, I know I should have written last night, and should have made time to do it. However, spilt milk and all that . . .

The moving finger writes, and having writ, moves one, nor all thy piety nor wit shall lure it back tom cancel half a line, nor all thy tears wash out a word of it . . . Or words to that effect.  A quote from Omar Khayyam that  I nearly know by heart. I run into trouble as it gets to the end, so I checked this up and copied it to be sure.

It’s pizza for tea. Bought in bases. Sauce from a jar. Coleslaw from a plastic tub. After a day in the shop I really can do without the need to produce thinly sliced cabbage. I’m thinking of making soup for lunch as it’s better for me than sandwiches.

Tomorrow is Saturday and then it will be Sunday again. Another week gone and none of my plans put into action.

Later tonight I am going to return to my Open learning course on the Roman Empire. I decided to take a more laid back attitude this year. When I rejoined i was upset to find that I had forgotten 90%, perhaps more, of all the material I had covered.  Worse than that, I’d even forgotten taking a couple of the courses. I admit they aren’t long, but it was a bit of a shock. I’m going to go slower, repeat the reading and make notes this time.

Tonight I will re-read Unit One in an attempt to make it take root.

 Selection of Pizzas after one of the school sessions we used to do.

Pizza picture is because I mentioned pizza. Pig picture – well only a heart of stone would not fail to find a piglet cute.

The Learning Journey

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I currently know more about the plot of Silas Marner, the filmography of A Christmas Carol and the life of Sir Alec Guinness than I did before I started writing my last post. None of this knowledge will enable me to earn money, which is a shame, but it will enrich my life and conversation. Probably.

There was a programme on University Challenge recently, as it reached its 50th year or something, and it featured some of the question setters. I’m not going to be rude about anyone but it did seem to me that the setters, at least in one case, were not the high powered academics I had been expecting. It has been noticeable in recent years that the questions were less difficult. I had been congratulating myself on my increasing intellectual ability, but the truth was slowly dawning on me – the questions were getting easier. Ah well . . .

The rest of the day proceeded much as predicted with food and TV, a few chores, a nap and some aimless rambling round the internet. I could call it “research” and dress it up as an activity or I can admit that it’s just a cover story for browsing.

This reminds me, one thing I do need to do (before producing a delicious dinner of roast vegetables and chicken pie) is order my pills for the coming months. The prescription date falls inconveniently in the middle of the Christmas holiday close-down. I’ve been meaning to do it for the best part of a  week but switching on a computer is a surefire way of diverting my attention from important jobs.

Day 8

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Up late, quick breakfast and off to work. Still first to arrive. Got a parking space, though customers from the hairdressers had used the spaces in front of the shop and parked two cars in three spaces. As usual, fought off the urge to park in front of the hairdresser and see how they like it.

We packed the parcels, I put two medallions on (one an Alcan medallion which features the Kitimat smelting plant and the Kemano power plant. It’s all very interesting, and proves, once more, the benefits of collecting for expanding the mind.

During the morning Julia texted to tell me I had a small package. At first I thought she was just being generally disparaging about my physical attributes, but further reading revealed that the Post Office had delivered a small package for me at the house. It just goes to show how modern written communications can be misunderstood.

Today was my day to have a half day, so I went home at 1am. For lunch we had the last of the Spiced Sweet Potato soup followed by the leftover vegetable stew and red cabbage from the last two days. For tea we had potato and paneer curry. I am now made up of such a high percentage of vegetables that a vegetarian cannibal could eat me without troubling his conscience.

This state of affairs won’t last – I’m planning on eggs and bacon for breakfast

and a roasted gammon joint for tea. We put two gammon joints in the freezer in case the reported possibility of Christmas food shortages became real, but they didn’t. Experience shows that if we leave them in there we will forget about them, so we are going to start eating them as part of a determined freezer clearance exercise.

 

 

Me and Roger McGough

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I’ll go back a couple of days for this one.  I had an email yesterday. As is customary I have had three haibun rejected by the editor who always rejects me.  He thinks there were some interesting points but they aren’t quite there yet. He has been thinking that for around two years. I have submitted to him half a dozen times and have failed to find favour every time.  Two years of being “not quite there yet” seems like a long time – in that time I have had haibun published in six other journals.

I don’t mean I should be accepted very time I submit, or that the rejecting editor is wrong. Even the magazines that generally accept me don’t do so without the odd rejection, and once in a while I get a hard time from one of the editors demanding changes I don’t always want to make. When that happens, I get annoyed with myself for not writing to a high enough standard. That’s not difficult to cope with.

However, when you are consistently turned down by one editor you reach a point when you have to wonder if it’s worth the effort, and whether he is looking for something I can’t produce.  I’ll probably try a few more times, because each rejection is one more for the year’s list. I’m supposed to be aiming for 100 rejections and have only made 22 submissions so far this year. I’ve been a bit lazy recently, so need to up my game. It doesn’t do me any harm to get a few rejections because it does make me sharpen up, the only proviso is that I want to send stuff out that has a chance of success, and that takes time. Recently it has been taking longer than usual.

Anyway, that’s a rejection, and the lessons to be learned from it. I will now go back by another day.

My copy of Acumen arrived. I has two of my poems in it. They were shortlisted in February and accepted in March, so it’s been a while. I have become so used to the rapid internet world of most haibun magazines that this seems a long time. It’s the 100th edition and is bigger than usual, and is very glossy. To say I was pleased with myself would be an understatement.

When I opened it I found there were quite a few famous poets in there, Mimi Khalvati was on the opening page and Roger McGough was about half-way through. I’m right at the back, but it doesn’t matter, I’m still in a magazine with some famous poets. I’ve been in magazines with some notable haibun writers too, but none of them as famous as Roger McGough.

It took a while for me to calm down after that, which is why the Saturday rejection bounced off me, and why I’ve had to wait until now to write about it. It’s probably very un-Zen to be too excited about this sort of thing, so I also had to watch out I didn’t upset any passing haiku practitioners with my unseemly showing off.

Reading, writing, wittering on…

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This is a post I wrote this morning. I arrived at work slightly earlier than usual and found there were only two parcels to pack, so that was soon done. I don’t access WP from the work computer, as I don’t want to blur too many lines, but I do sometimes check my emails, so I emailed this to myself.

After posting last night, I spent some time looking at poetry to see what I could do to improve. First stop was  a magazine that usually rejects my work. The editor does give me advice from time to time, which only increases my confusion. I don’t always understand what they say to me, and I definitely don’t understand why things identified as faults in my work are acceptable in the work of others. I found several examples and spent half an hour studying them for clues as to what makes them publishable when I am not. I looked at all sorts of things apart from the writing and the content, including subject, voice and style, and I couldn’t se what the successful pieces had that I didn’t. I’ll have a go in a few months and see what I can see.

Better informed, but mystified, I moved on. If I keep seeking, I am sure I will find something to explain it, and even if I don’t , I am bound to learn something and improve, simply by looking at things in greater detail.

It’s that pond again. The haibun that it inspired was eventually split in two. One half was published. The second half formed the basis of another haibun I am still working on.

I found two by someone from the UK and decided to look him up. I do that sometimes. He writes in several forms and has published nearly a thousand pieces in 20 years. He belongs to two writers’ groups, reads in public and plans all his poems out. I’m already sensing several differences in our approach. I don’t like the idea of writers’ groups, don’t like speaking in public, and although I do think of planning I rarely do any. I say “rarely” but if you were to pin me down on detail, I may alter that to never. But I do sometimes thing of planning, which is nearly the same. However, despite the differences there is one similarity – we keep writing, learning and submitting.

My normal planning process is to think “I’m going to write something.” I may have to look at that again.

At that point, or some defined point in the future (generally after eating or watching TV) I write. Then I write some more and try to add something at the beginning that is also mentioned at the end. If you do that it looks like you had a plan. Then I take all the bad words out – long words because they are just showing off, adjectives because they are frowned on in poetry, and clichés – shards is one of the main ones that people go on about but myriads, hosts and cerulean are also unwelcome.

Then I leave it to rest. Some of my published work has been resting for a couple of years, with a gentle nudge and a prune now and again. Sometimes I add a bit, but mostly it’s a process of reduction. Then one day I send it out into the world. It often returns. So I cut, shape and send it out again. If it comes back too many times, I think about reusing bits of it.

It’s sometimes difficult to judge. Some poems go out four or five times and are eventually accepted. Others go once or twice and get parked. It all depends on how much confidence I have in them. One went out five times before being accepted, another was accepted on its fourth attempt (four days after being rejected by another magazine).  As Chuck Berry said ” It goes to show you can never can tell.”

An attempt at artistry

 

Always Something New to Learn

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I have always been of the opinion that it should be possible to refer to a decade – 1960s or ’60s for instance – without the use of an apostrophe between the number and the s. It is something that seems to have crept in over the years and I notice that spellcheckers sometimes pick out the non-apostrophe version as incorrect.

The shop owner always uses 1960’s and I have always written it 1960s, assuming that I am once again out of step with modern thinking. However, I’m just finishing an article and I thought I’d better check a few things. As it’s for a numismatic journal I downloaded the Guidelines for the British Numismatic Society. I was happy to find that they say “The apostrophe is not used in dates or in the plural of abbreviations ‘the 1960s’, rather than ‘the 1960’s’.”

I didn’t really learn this, I suppose, as I already knew it, but it’s nice to confirm it. It also reminds me, when looking into the background, that I have grown sloppy at the other end as I always forget to add the  apostrophe at the beginning of the shortened form – ’60s. All this is, of course, just a prelude to the subject of possessives. How about ’60’s music? I thought about putting that in quotes, but I fear my head might explode. You can see why style guides advocate recasting sentences to avoid situations of confusion. So, “music of the 1960s” it is then. I often do that when working round constructions I’m not confident with, and am happy to see that serious style guides suggest it.

 

Thoughts on Rejection

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I’ve had five rejections in the last month and have had several different reactions.

A feeling of being rejected was, strangely, not one of the reactions. A rejection, in this sense, is only the expression of one editor’s view on that particular day.

One of them was quite interesting, as it involved haiku. I don’t usually write them, despite them being an essential part of a haibun, and it’s something I should do more often. I’m resigned to them being rejected but every so often I submit some anyway to see what people think.

My most recent attempts bounced back with the news that only a third of submissions had any success, and telling me which two had been considered the strongest candidates. I don’t feel too bad about rejection when I know two out of three are rejected.

Two submissions bounced back within days, which I always take as a sign they weren’t even close. There’s not much you can say about that. I probably should learn to be more analytical and to send things that match the content of the magazine. I can do that in one case.

The other case was a guest editor, and it’s slightly more difficult to guess what they want, particularly when they don’t give you a clue. It can, of course, be tricky working out what they want when they do give you a clue. They told me they weren’t a good fit for that issue. I am as wise after reading that comment a dozen times as I was before I read it the first time.

I suppose it’s difficult finding ways to reject people without insulting them or giving them something to argue about.

One of the other submissions was returned with no further information. That was fair, as the submissions weren’t particularly good. It was another guest editor job and I’d sent two pieces which weren’t really finished because I thought they matched the style of the guest editor, an error I won’t make again. I hate being made to look unprofessional, even if I do it to myself.

The final one was returned with the observation that the haiku didn’t add depth to the prose as they were too similar. That’s a comment I’ve had before.

The other comment I have had before is that the haiku don’t harmonise with the prose and therefore fail to add depth.

It’s very difficult knowing what to do. Are your haiku too similar or too dissimilar? And will they be the same tomorrow? Maybe I just suffer from shallow haiku. It just occurred to me that my fascination for improper acronyms could have a field day with Shallow Haiku. As they generally come at the end, I could say that the trouble with my haibun is that they are Shallow Haiku in Termination.

Be Careful What You Wish For

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Only one day after saying I was waiting impatiently for news from two editors, one got back to me.

Not only did they get back to me, but they told me they were going to pass on the haibun which, it seems, lack depth, as the haiku fail to take the reader on a step beyond the prose.

This is slightly depressing as I was just beginning to think I was getting the hang of things. About a year ago I had several haibun returned as the haiku were felt to be a step to far away from the prose and were not related enough.

Rejection I can cope with. It is, as I recently said, simply an indication that one particular editor, at this time, doesn’t think that the work is right for publication. It isn’t personal and it isn’t necessarily an opinion shared by other editors.

What does concern me a little with this rejection is that the specific objection is one that I thought I’d addressed. It’s not about my ability to write, it’s about my judgement of what is good and what is bad. I actually thought I was getting better and was moderately happy with them. (I am never fully happy with any submissions, even when they are published, I even went over yesterdays Limmerbun to alter a line this afternoon).

I have just been and looked at about twenty haibun in a couple of magazines. About a third of them had haiku attached which were stronger than mine. Another third featured haiku much the same as mine. The final third featured haiku which bore little relationship to anything that had gone on in the prose – my previous problem. This, of course, is just my opinion, and as we have just seen, my opinion may not be correct. I would however suggest that on another day, with another editor and a different magazine, these haibun could have been accepted,

This all goes to show that there is no good and bad in haibun, just things that gain approval and things that don’t. Today, I didn’t. Watch, learn, move on. I will tweak them over the next few days. It’s not so much improving them as moving them more into the area where they are likely to be accepted for publication. Or does that sound too cynical?

I will leave you with these wise words from one of our great, but unappreciated, philosophers.

“When you are a Bear of Very Little Brain, and you Think of Things, you find sometimes that a Thing which seemed very Thingish inside you is quite different when it gets out into the open and has other people looking at it.”― A.A. Milne, Winnie-the-Pooh

 

 

Why Bother Blogging? (Part 2)

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Joking aside, (and I wasn’t entirely joking about my desire for fame and fortune), I needed the writing practice. My writing had come to a halt and my brief career as a poet had fizzled out. It wasn’t a concious decision, I had about a dozen poems published, I was just getting into a better class of magazine when I let it all go. It was a combination of children and poverty, as I recall. There just wasn’t enough time for everything and I spent the next eight years writing match reports for various junior rugby teams and hiring myself out as a jobbing gardener.

Then, while I was working on the farm with Julia and the Quercus group I decided it was time to start writing again. The blog was my first step back into regular writing. After two thousand posts and establishing a habit which I am seemingly unable to break, I think it’s safe to say I write regularly.

I also like the company. I know it’s only virtual company but that’s good enough for me. WordPress friends are better than flesh and blood friends as they don’t disturb you in the middle of doing things and they don’t come round and eat your biscuits.  They also let you blether on without telling you to shut up. This is a model of behaviour that Julia could do with adopting. In WP there is also a touch of the feeling you get when you look into people’s back gardens from the train. (Or is that just me?) I’m curious to the point of being nosey.

The other thing with WP friends is that I was till able to visit during lockdown.

Apart from a disturbance in my shopping habits, and a morbid fear of sniffling strangers, I hardly noticed any difference between lockdown and my normal life,  This, I feel, says nothing good about my normal life.

Blogging is also a reason to get up in the morning, go out, observe things and set targets. You can say this about many forms of writing, but if I hadn’t started blogging there’s a chance I wouldn’t be doing any other writing. It’s a chilling thought.

I wouldn’t be doing any photography either, because I started that to add photographs to the blog.

You frequently see people making the same point about writing haiku, and it’s true. If you are going to write a lot of Japanese style poetry of any type you need to keep looking out for details.

If you get into the habit of observing it becomes easier to see things and, this gives you more to write about so it’s a sort of virtuous circle. (Julia saw a weasel today in the Mencap Garden. A real one, that is, not a jumped up school caretaker or a cowardly manager. It must be hard being an animal when your name is used as a term of abuse.

It’s particularly hard on weasels, who are quite affable, and don’t really deserve the opprobrium they get. When you think of the personal habits of the stoat, it’s the stoat that should be the term of abuse. The word itself sounds more like a snarled insult too. Weasel is a bit of a woolly word.

You also learn a lot from blogging – particularly as you browse Wikipedia looking for links for the blog.

I’m sure it does other things too, like keeping my fingers flexible but I’m starting to tire now and it’s time to go and read my new book. It’s a Kindle book about how to be an autodidact, and before anyone asks, yes, it’s a Teach Yourself book…

I’m going to use the penny picture again to tie this to the Part 1 post. I’m not sure if I’ll use any others as it’s too much of a faff on the old editor.