Category Archives: poetry

Philip Larkin and Moral Judgement

He looks a bit like Eric Morecambe in some of his photos – which is probably not a good comparison.

I wrote this after watching a YouTube clip of Philip Larkin riding a bicycle. I can’t exactly remember what he was doing but association with An Arundel Tomb has always made me think he was visiting churches, even though I’m not convinced that a church features in the clip. It started out as a longer piece and I pruned it and polished it every time it came back, which was often. I think it was sent out at least four times. On the last occasion I didn’t, as i recall, do anything, as i couldn’t think of anything else to do so I just sent it straight out again and, a day later, it was accepted.

This is an example of how editors all have different views and requirements.

Meanwhile, although I have used it on the blog before, I use it here to illustrate the making of moral judgements. Larkin, you see, was a racist according to his letters. That illustrates several points, such as whether we should judge poetry through a filter of our own morality. Just because he was a racist does that make him a bad poet? And if we do decided to judge a writer by his morals rather than his writing, is it fair to judge one as a racist because he preserved his correspondence, yet to make no judgement on another writer who may have failed to preserve his correspondence?

That’s a tricky thing about making moral judgements, they aren’t always accurate – a bit like the poem, which picks and choses which facts to use. I didn’t use moral judgements in selecting the facts, just what fitted nicely into the flow.

Hidden Worlds

He wears a grey gaberdine and rides a bicycle from church to church. In his head he composes poems about sex and tombs. On YouTube he flickers in black and white, like a newsreel from the 1950s. Smiles are clearly still on ration.

Larkin used more bad language than you normally expect from a librarian. This becomes understandable when you find that he started his day with half a bottle of sherry.

monochrome photo
my parents younger than me
1963

Failed Haiku Feb 2021

 

Bad Habits of Old People

Last night I started a counter-revolution. I deliberately went out to write a long poem and submitted a tanka prose with 289 words of prose. Can you believe it? What would be considered a short WP post may not be selected, I’m told, because of the allocation of space. For some reason 300 words is now a barrier. Isn’t life strange?

My Orange Parker Pen

An old man complains about trends in modern poetry and cuts it short at sixty words. What happened to the old man who used to complain at length about anything and everything? Beaten down by life. I’ve been reading about bad habits old people have. So I’m not going to bang on about it.  It’s another example of modern life being shoddy and young know-it-alls giving us their worthless views whilst drinking chai lattes and scrolling their phone as the walk along the pavement inconveniencing all the other pedestrians.

However, I do have one good habit, although I may mention my knees and hands from time to time I generally don’t discuss my health too much. It is, to be fair, not that I have a good habit, just that I don’t think my internals are any business of strangers.

Refusing to embrace new things is another fault of old people. Failure to embrace new ways for fraudsters to get into your bank account? New ways for companies to make you do more of the work yourself (probably using an “app”) whilst charging more for doing less?

Poetry – creatively stacked but a touch light on stock

If the future was robot butlers and time machines I’d give it a go, but fraudsters and parasites? No thanks.

I mention robot butlers a lot. I should find something new, as repeating yourself is a sign of being boring and old. Having said that, I was boring when I was young, so it’s just a bad habit, rather than being age related.

If only I could call for Robo Lugg to bring me tea and dainty sandwiches. If not Lugg, who is your favourite fictional butler. I don’t think I’ve ever met a real butler. Come to think of it, Lugg isn’t a butler, he’s a gentleman’s gentleman. It’s close enough for my purposes.

 

 

A Film Show a Surprise and a Superstition

Robin

I went to the funeral of one of my aunts yesterday. I used to be well-supplied with aunts – thirteen that I had met and there were several I never met, so haven’t counted.  They have now dwindled to two. Several of them were actually great aunts (and several were great-great aunts) and two were actually second cousins who were approximately aunt age. One is still alive and another, in South Africa, hasn’t answered a letter for a year or two, so it’s a Schrödinger’s Cat situation, where she is still alive until we get a letter to tell us differently.

I have been very bad at keeping in touch. As such, I have spent most of the night awake, contemplating ways I could have done better and thinking about family history.

There was a screen in the crematorium chapel, displaying my aunt’s photograph and (mis-spelt name). At her mother’s funeral the vicar used the wrong name all the way through – using her official first name when she was always known by her second name. Her father, in turn, was sent medals by a grateful nation in 1919, where his name was spelt wrongly on them and when the King sent his widow a memorial scroll, they spelt her name wrong too.

Some people are destined to achieve greatness, some are mere footnotes in history and, dragging along at the rear comes my family, with its name spelt wrong.

In a way, it was good to see the extension of family history into modern times – a century of misspelt names.

It was, as funerals go, well organised and upbeat and, as a final touch, a robin came out after the rain and sang us on our way. Of course, it’s only a superstition about robins, but, as they say, other superstitions are available.

Robin - singing

Robin – singing

Part of the slide show featured my aunt’s wedding photo in 1961. It was wet and blustery day. I was given some confetti to throw, which I did. Nobody had told me I had to wait for the bride and groom and it fell in a lump into a puddle. On being told of my error I tried to retrieve it for re-use, but was told to leave it and try again with a new, dry batch. What struck me as I looked at the picture, was that I think there are only three of us left who were there that day. Possibly two (see note about Schrödinger’s Cat). My sister had been left with a babysitter as she was considered too small for the weather. She still nurses a grudge about that.

It’s a surprise to look round and realise that you are the oldest in the room. It’s time for a poem, I think. First published in Contemporary Haibun Online 20.1 Spring 2024.

The Next Funeral

Amazon reviews indicate I am not the only person to have searched for a black tie with next day delivery. I could have sworn it was in the car’s glove compartment, neatly folded from the last time I wore it. My one white shirt hangs, ghostlike, from the bedroom picture rail and my timeless drab tweed jacket hangs next to it. The tie, I suddenly remember, is in my jacket pocket.

Tomorrow, as I nod to cousins, we will remark that we really must try to meet without someone dying. My uncle, who has just turned ninety, tells his brother in law to wrap up warm or he’ll be next. One day, I suppose, I will realise there is no obvious candidate to be next . . .

in church the sun
shines through an angel’s robe
bubbles trapped in blue glass
I wonder whose breath is
captured forever


					

Following Up and Bits & Pieces

I was recently asked for a description of various forms of Japanese poetry. I think you should find all you need here.  There are links in that one, which is about tanka and tanka prose, which will take you to haiku and haibun. One of the tanka links no longer works. If I remove it I them have to change the text, so am leaving it as I am short of time and am not a perfectionist.

The real way to write poetry of any type, as I have said before, is to pick up a pen and start writing. Eventually it will need typing but you’re a blogger, so you can already do that. Then email some off to editors.

If they are accepted, you are a genius. Well done, come back and tell me how you did it. Then tell everyone you learnt it all from me.

If your initial poems are rejected, join the club. Write some better ones and send them off. Each rejection hardens you up to cope with rejection, so failure is useful.

This year I have made 44 submissions and have had 18 acceptances, 17 rejections and have 9 answers pending. It’s not such a good rate as last year, but I’m writing to more places rather than just the ones that suit me. The point is to do something new rather than rack up an impressive ratio of accepted poetry.

Orange Parker Pen

I am, as i have said, looking at changing things round a bit. It may not see me improving or becoming more successful but it will get me out of a rut and make me use my brain differently.

Meanwhile, Sunday brought two emails, one accepting a haibun and one accepting a haiku. The ones that weren’t used (six haiku and two haibun) can go into the submissions for the coming month.

I need one lot of 10-15 and one lot of four for the 15th of the month. I now have enough. It’s a help and takes some of the pressure off.

Having said that, I just went to look at what I need to do. Even with this progress I still have quite a lot of work ahead of me. OK, I have three weeks to do it in,  but I am at a funeral in Norwich later today and on Thursday I will be messing about delivering the car for repair.

My Orange Parker Pen. I just wrote a poem about it, as all my hints to parker have come to nothing. It was rejected. So I sent it to somebody else.

 

Several More Things . . .

I had meant this to be a post about things I missed out of the last post. That was, itself, started to say something I’d missed out of the one before.

Optimism of a Moorhen building a nest

Thoughts can be like that. You start a new one before the old one is finished and as you finish one you forget what it was you meant to write about.

I could continue this line of thought, but if I do, I will undoubtedly start to muse on the decline of my mental capabilities, and from thoughts of low intellect, I will pass on to discussing politicians.

I don’t want to do either of those things. I may, at some point in the future, touch on the matter of Zohran Mamdani, Mayor of New York, and his announcement that he was going to ask King Charles for the return of the Koh-i-Noor diamond to India. At the moment I will just give him 10/10 for political grandstanding and ask if his enthusiasm for returning things to their “owners” extends to handing New York back to the British.

Mallards

Meanwhile, back in the world of poetry, I forgot to mention, regarding editors, that some of them really don’t like poets. I’d noticed this way back and then let it pass from my mind. There are one or two in Japanese-style poetry who seem a bit snippy but I got round that by ignoring them and sending my poetry elsewhere. Now I start looking at free verse again, am noticing them more and more. They seem commoner in this sector. I will just have to see what happens.

Meanwhile, my copy of Ribbons, the journal of the Tanka Society of American arrived by email.  They turned down my last tanka prose submission so I have mixed feelings about this edition, though I do have two tanka in.  Xenia Tran also has two in. I don’t see her about so much on here these days but she can be found here.

Mallard duckling – Arnot Hill Park

Of course, there is a reason for me mentioning Ribbons. They  run a Reader’s Choice Award each issue and it seems that I got an Honorable Mention for one of my poems in the last issue. There is one winner and three poems are given Honorable mentions, so it’s nice to be one. It might be nicer to be a winner, but on the other hand if you win, you have to choose the next winner and write a commentary.

This month will also see the new issue of Eucalypt and I was one of the winners in the last issue. I’ve already mentioned this, I know, and I’m not doing it to show off, just to mention that I’m going to have to choose a winner (big responsibility) and write a commentary (big danger of looking like an idiot). Not sure I’m looking forward to it . . .

Yellow Flag Irises

 

 

In Search of New Places

As I published the last post, I realised I’d missed something out.

One of the new titles I was looking at asks for a donation to accompany the poems. It’s less than the cost of buying a coffee at a coffee shop, so I suppose it isn’t ruinous. But it seems wrong. as I discussed recently. I would link to the previous post, but I can’t remember when it was. And I’m too lazy to look.

Regretfully, I won’t be submitting. If it was a printed magazine I would probably buy a subscription, but I am in two minds with online magazines. I know there are costs involved, but I also know I have costs for WP, for newspaper archives and for other research services I use. Somewhere I have to draw a line.

The second was a magazine that doesn’t send rejections. They say if you haven’t heard after a month you can take that as a rejection. It’s one way of cutting down the workload, and avoids having to be nice to hundreds of people, no matter how bad their work is, but it’s also a bit rude. I have, in the past, submitted to magazine with this approach but never been successful. Maybe it’s because my negativity transmits itself, maybe it’s because it’s an approach favoured by young, cutting edge editors and I’m just a dull, old-fashioned poet.

I know I often say I’m looking for new places to submit but there are some lines I don’t want to cross. Paying to be published is one.

I’m not quite so sure about the other. Which is worse – a guaranteed (though impersonal) one month cut off, or an editor who waits three months to reply.  (Some, to be fair, reply in days – they are the best!)

 

Photos from May 2016

 

The Best Words in the Best Order

‘I wish our clever young poets would remember my homely definitions of prose and poetry; that is prose; words in their best order; – poetry; the best words in the best order.’

S. T. Coleridge

Yesterday I read the words of an editor on the front page of their website. It seems that running a magazine is hard work and takes a lot of time. I had never imagined otherwise. I base this on the fact that I spent yesterday pushing words round paper. By the time I had finished I had taken three unpublishable poems and turned them into one possibly publishable poem and two that were better than when I started on them.

 

Poetry takes time. Lots of time.

I read some background, cogitated, deleted a few words, added a few words, deleted them, went back to the first version, and, in a flash of inspiration, deleted the first verse and the last verse and carried on messing with words.

Then I moved on to the next one . . .

The tricky thing I find, is that it’s surprisingly easy to alter something and make the poem worse.

Sometimes, when I’m in full flow, I can write a whole poem and it doesn’t need altering. I wrote one like that once and it was highly commended in a competition. I need to practice more and try to get back to that.

One of my free verse poems, when edited, turned into a haibun. Not quite sure how it happened, but it just seemed to fall into shape as I edited. It might be similar to what sports coaches call “muscle memory” – I’ve written so many haibun that I can’t write anything else. That’s unfortunate, because, as a previous editor pointed out recently, I can’t write haibun. 🙂

I’ve used pictures of Julia’s woodturning, because it’s very much like poetry. You start off with hope and a battery of skills and, if you are lucky, you end up finding something that is better than you hoped.

Feeling Pleased with Myself

I am sitting here, and I admit that I am feeling smug, I have just sent off a first free verse poem since spring 2023. In some ways it isn’t a long time, but it was long enough for me to lose the knack and it has taken a couple of months to get back into the swing of it.

I must have spent a month or so wondering if the skill was ever going to come back. But if you keep writing, even if it is rubbish, you eventually get back to something usable.

This, however, is as far as it goes for now. There is a lot more competition for space in traditional poetry magazines than there is in the word of haibun and tanka and it could be some time before I see anything in print. At least I’m pushing up my number of submissions for the year.

It’s important to submit as part of the process of learning to do better. As I have said in earlier posts, I am poor at writing haiku. I’ve always struggled and although I don’t particularly like it as a form, I feel I should practice haiku to improve myself, and to improve my haibun. You don’t improve at anything by only doing the easy bits.

This one is The Prince and the Orange Toad. I have two characters in mind. One will be a handsome Prince, willowy and thin. The other will be squatter, and with an immense self-satisfied grin. I’m not sure how it’s going to progress yet, but that doesn’t matter, because we all know I talk about more projects than I ever begin.

Finally, three views of a small bowl that Julia has done using a piece of wood that somebody gave her.  It’s her first bowl, it’s quite small and it is designed for putting rings in at night. It has turned out to have a very interesting grain pattern, and the inside reminds me of the Time Tunnel.

 

Writing and Watching the Time Pass

Despite being very erratic over the last week or two I have mainly kept to the plan, though a post a day has actually meant “averaging” a post a day. Or nothing some days and two or three on others, if I’m honest. I’m currently on 117 posts in 117 days. It is good, but I need this one to keep up.

Stones at Carsington Water

That’s how people do the Buson 100. That’s ten haiku a day for 100 days. I’ve tried three times, completed it twice, failed once. That’s life. However, I’m driven by the hope of improvement rather than the fear of failure so, though I’m not happy to have failed, I’m not going to let it ruin my life. I achieved some improvement in my haiku, then I let it fall away again. I’m not, in truth, greatly enthused by haiku and write them bacause they are necessary if you want to write haibun. The article I first read about it indicated that you could catch up if you got behind, as long as you ended up with 1,000 haiku at the end of it. The link in the post that I have just linked to is no longer available, but this one is very good too.

Stone head – Rufford Abbey

Yosa Buson, an eighteenth century poet and artist, after whom the Buson 100 is named, tried to write ten haiku a day for a hundred days twice and as I recall he didn’t finish either one. He did, however have a lot of other things to do, and he did die in the middle of the second one. He was 68, which will be my age soon – probably an indicator that I should look after myself better and write faster.

It is tempting to set myself a poetry target, but I don’t think it would help. Keeping up with the current regime of one blog post a day and one numismatic article a week are hard enough as it is.

Detail from gravestone – Crowland

Sotheby’s Surrealist Auction Sale

Sorry I’m so late. I wrote some poems, cooked a massive pasta bake, read some poetry, did some research, engaged in small talk with No 1 Son and my sister and generally lost my grip on the day.

So the poetry I mentioned did not get posted and when I go back to yesterday’s post I will have to add a note to say I was late.

Here it is, first published in Quail Eggs Issue 3 December 2025.

If you have a few minutes go and have a look. It is a pleasant, peaceful place. Just in case you are like me – click on he bars o the left of the title and everything opens up. I confess it took me a while to work it out.

Sotheby’s Surrealist Auction Sale

Blue, orange, yellow, red – Warhol’s copy of The Scream. I could do that. Make a copy, steal his inspiration, expending no imagination. Was there a class at art school called Copy Campbells Cans and Make a Mint? The road to Hell is paved with good imitations.

Warhol’s version has an auction estimate of £2 – £3 million. Mine, I expect, would do to line a budgie cage or two. I can see it now, a captive canary – they are easier to paint than budgies – with my copy of The Scream and melting pocket watches draped around the place. Collectors with fortunes bid on a print of a stolen idea. Sensing value in something mere mortals cannot see.

The bidding dies, a new Lot is announced. A porter shows off an empty coat hanger.

“Lot 164,” the auctioneer intones – “The Emperor’s New Clothes . . .”

as a child
I wondered if my blue
was the same as
other people saw
sometimes I still do