I’ve had five rejections in the last month and have had several different reactions.
A feeling of being rejected was, strangely, not one of the reactions. A rejection, in this sense, is only the expression of one editor’s view on that particular day.
One of them was quite interesting, as it involved haiku. I don’t usually write them, despite them being an essential part of a haibun, and it’s something I should do more often. I’m resigned to them being rejected but every so often I submit some anyway to see what people think.
My most recent attempts bounced back with the news that only a third of submissions had any success, and telling me which two had been considered the strongest candidates. I don’t feel too bad about rejection when I know two out of three are rejected.
Two submissions bounced back within days, which I always take as a sign they weren’t even close. There’s not much you can say about that. I probably should learn to be more analytical and to send things that match the content of the magazine. I can do that in one case.
The other case was a guest editor, and it’s slightly more difficult to guess what they want, particularly when they don’t give you a clue. It can, of course, be tricky working out what they want when they do give you a clue. They told me they weren’t a good fit for that issue. I am as wise after reading that comment a dozen times as I was before I read it the first time.
I suppose it’s difficult finding ways to reject people without insulting them or giving them something to argue about.
One of the other submissions was returned with no further information. That was fair, as the submissions weren’t particularly good. It was another guest editor job and I’d sent two pieces which weren’t really finished because I thought they matched the style of the guest editor, an error I won’t make again. I hate being made to look unprofessional, even if I do it to myself.
The final one was returned with the observation that the haiku didn’t add depth to the prose as they were too similar. That’s a comment I’ve had before.
The other comment I have had before is that the haiku don’t harmonise with the prose and therefore fail to add depth.
It’s very difficult knowing what to do. Are your haiku too similar or too dissimilar? And will they be the same tomorrow? Maybe I just suffer from shallow haiku. It just occurred to me that my fascination for improper acronyms could have a field day with Shallow Haiku. As they generally come at the end, I could say that the trouble with my haibun is that they are Shallow Haiku in Termination.