Ten minutes? That’s cutting it fine even by my standards.
Much of today’s writing was about a bronze medal commemorating the 50th anniversary of the Balfour Declaration (1917). It’s often taken as an important step in the founding of the modern state of Israel.
Of course, by another interpretation, it’s also one of the steps in producing the events we now see in Gaza and the Middle East.
Balfour Declaration Medal 1967 (Reverse)
The trick in writing an article about this (it was part of the material in my postponed presentation “The Dark Side of the Medal”) is not in writing about the ramifications, or the political deals that were done, but in writing about it in a suitably neutral tone so nobody is offended by what I say.
My subject is not the rights and wrongs of Middle Eastern politics, but the man who designed the medal, the design and the fact that it is made in tombac. In numismatics we call a lot of medallions “bronze” when they aren’t. It’s a natural progression – gold, silver, bronze. Bronze is a mixture of copper and tin. Tombac is a mixture of copper and zinc. It’s cheaper, it can be made to look like bronze, or even gold, depending on the mix, but it is actually a type of brass.
The Balfour Declaration – well-meaning but, in hindsight, flawed
The campaign stars of the Second World War were made from tombac, as were some Canadian wartime coins.
The designer of the Balfour medal is Paul Vincze, (1907– 94) a Jewish-Hungarian sculptor who moved to the UK in 1938 to avoid Nazi persecution. He had a distinctive style and is probably best known for his series of 1964 Shakespeare medallions celebrating the 400th anniversary of the playwright’s birth. He also designed coins for Ghana, Guinea, Libya, Malawi and Nigeria.
Yes, I cheated. I published then went back to add the photos as I got to 11.59 and only 230 words.
































