This is a post I wrote this morning. I arrived at work slightly earlier than usual and found there were only two parcels to pack, so that was soon done. I don’t access WP from the work computer, as I don’t want to blur too many lines, but I do sometimes check my emails, so I emailed this to myself.
After posting last night, I spent some time looking at poetry to see what I could do to improve. First stop was a magazine that usually rejects my work. The editor does give me advice from time to time, which only increases my confusion. I don’t always understand what they say to me, and I definitely don’t understand why things identified as faults in my work are acceptable in the work of others. I found several examples and spent half an hour studying them for clues as to what makes them publishable when I am not. I looked at all sorts of things apart from the writing and the content, including subject, voice and style, and I couldn’t se what the successful pieces had that I didn’t. I’ll have a go in a few months and see what I can see.
Better informed, but mystified, I moved on. If I keep seeking, I am sure I will find something to explain it, and even if I don’t , I am bound to learn something and improve, simply by looking at things in greater detail.
It’s that pond again. The haibun that it inspired was eventually split in two. One half was published. The second half formed the basis of another haibun I am still working on.
I found two by someone from the UK and decided to look him up. I do that sometimes. He writes in several forms and has published nearly a thousand pieces in 20 years. He belongs to two writers’ groups, reads in public and plans all his poems out. I’m already sensing several differences in our approach. I don’t like the idea of writers’ groups, don’t like speaking in public, and although I do think of planning I rarely do any. I say “rarely” but if you were to pin me down on detail, I may alter that to never. But I do sometimes thing of planning, which is nearly the same. However, despite the differences there is one similarity – we keep writing, learning and submitting.
My normal planning process is to think “I’m going to write something.” I may have to look at that again.
At that point, or some defined point in the future (generally after eating or watching TV) I write. Then I write some more and try to add something at the beginning that is also mentioned at the end. If you do that it looks like you had a plan. Then I take all the bad words out – long words because they are just showing off, adjectives because they are frowned on in poetry, and clichés – shards is one of the main ones that people go on about but myriads, hosts and cerulean are also unwelcome.
Then I leave it to rest. Some of my published work has been resting for a couple of years, with a gentle nudge and a prune now and again. Sometimes I add a bit, but mostly it’s a process of reduction. Then one day I send it out into the world. It often returns. So I cut, shape and send it out again. If it comes back too many times, I think about reusing bits of it.
It’s sometimes difficult to judge. Some poems go out four or five times and are eventually accepted. Others go once or twice and get parked. It all depends on how much confidence I have in them. One went out five times before being accepted, another was accepted on its fourth attempt (four days after being rejected by another magazine). As Chuck Berry said ” It goes to show you can never can tell.”
An attempt at artistry