Category Archives: writing

The Pitfalls of Contentment

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Although I have a lot to look forward to and a lot to be grateful for – a new house, someone paying me not to work (or a pension as it is also known) and the ability to see Julia all day rather than just for a rushed breakfast and an evening of preparing for the next day, I am at a low ebb in other ways.

I am, for instance, just days away from the end of several submission windows, with nothing ready and, currently, no interest in writing poetry. It’s actually worse than it sounds, because I haven’t even done my list of planned submissions for the year. I’m sure it was only about a month since I said I was going to aim higher this year. So far I have done nothing.

Contentment, it seems, takes its toll.

My Orange Parker Pen

My plan is to improve by writing more. And to write more I have to submit more, because it doesn’t count as writing unless somebody judges it. For instance – my first paragraph uncoiled as one sentence. And that sentence is 65 words. Now, it’s well known that sentences over 30 words are difficult for most people to understand, the British Government style guide specifies a 25 word maximum and many authorities on writing suggest 15-20 words as being ideal, though James Joyce, who was probably a better writer than most Civil Servants, once wrote a sentence that was 4,391 words long (I knew I had a good reason for avoiding Joyce), so it’s fair to suggest that one of the benefits of submitting writing to editors is that they will curb these tendencies (though note how J K Rowling’s books got longer as she became more successful and no editor dared tell her to cut out half the words). I think that was 113   I am a mere amateur compared to Joyce. But you probably already knew that.

I’ve been getting complacent recently – submitting pieces for the Numismatic Society Facebook page does not involve a lot of competition as there are only two of us writing the posts, and that fell to one for a while over Christmas because the other writer was ill.

Time to start testing myself, I think. The only way to improve is to get a few rejections. That will wake me up.

Photo by Pixabay on Pexels.com

 

Words

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Cottage loaves – various staes of success

I wrote two posts after the last one was published, and filed them both. One was about the growing corruption in the world and the UK’s slide down to 20th position in the league tables. The other was about writing poetry. One was boring and the other was boring and self-indulgent.

They ended up around 400 words each and the only thing worth preserving is that out of my last four submissions I have had three poems accepted. I have not heard back from the fourth.

That’s over 800 words I wrote for no real purpose. It’s nice to know I can knock out 800 words without a problem, less nice to know that it does me little good. I really should divert all those words into something useful.

Apple juice

I could write begging letters. I imagine that most of them will be unsuccessful but it’s a thought. I did once, when I was young and enthusiastic, write some letters to newspapers that paid for letters, and did get several cheques. However, it was difficult striking just the right note (a topic of interest balanced with the right degree of outrage) and I soon moved on to doing filler pieces for a magazine that took interesting facts and scattered them in little boxes throughout the text. I can’t quite remember what happened to them – some editorial change that meant they weren’t needed. After that I tried full length articles and short stories but it’s a lot of work for little success in a crowded market, and I had kids by then.

That’s probably the best thing about kids – an instant excuse for everything I didn’t quite do. However, it’s noticeable that my two successful periods of writing poetry fall either side of the kids taking all my time.

I rest my case.

Making cider vinegar

 

Pictures are from October 2015.

 

 

It is Done

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The Magpie, Little Stonham, Suffolk

I stuck to the rules and I have three new poems to show for it. I felt like I’d had enough after two, but three is the target. Either three revised or three composed. Being inflexible, and having started to write, I carried on writing, even if the rules would have allowed me to write two and revise one.

Silly as it may sound (I am, after all, talking about writing poetry, not cleaning out a hen house) I am now in need of a rest. This blog post is a rest. Just a change of pace.

Yesterday I deviated from the rules, and things went wrong. The gardeners arrived and did their job. I went out to avoid the first three hours then returned, made cups of tea for us all and got to work. I couldn’t think of poetry so I got stuck into an article I am writing – fact checking and constructing a biography from snippets. It’s coming together slowly. Very slowly.  However, it did fill the day so although I veered off track, I did at least spend several hours in useful pursuits.

Norfolk Flint Wall

Flexibility, as TP just remarked, is key. The rules and targets are to make me work with more focus. If I can fill a few hours with effort instead of frittering my time away all day, it is time well spent and proof that a few rules and targets can help.

I have set targets before, for junior sports clubs and for writing and in all cases I have achieved much more when I plan and write it down. The trick is to make sure you sit down and write something out. I’ve let things drift for the last three years and although some good things have happened, I have to say that more would have happened if I had planned.

I use the SMART model – that’s Specific, Measurable,, Something, Something and Time-bound or Timely (they struggle a bit with that last one). I always have to look it up because I can’t remember the middle bit.  It’s Specific, Measurable, Achievable, Relevant, and Time-bound.

Doesn’t really nee a title does it?

I will end up with a table that has magazine names with times and targets in boxes. It fits quite well. The names are Specific, the targets are Measurable because they are numbers of poems, the targets are Achievable, but I don’t actually need a column for that, Relevant is the type of poetry (they don’t all take the same sort of thing) and Time-bound is a good column for the submission windows, though I generally rely on my submissions calendar for that. There’s a lot more admin in writing poetry than the lives of Lord Byron or Dylan Thomas would suggest.

Pictures are from September 2018, a trip round East Anglia.

The contents of the bag

My Theory of Timing Submissions

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REsettling the plough

As it turned out, yesterday’s grand plan ground to a halt. With just sixteen days until the end of the month I need to start looking at haibun and tanka prose. I have, as usual, plenty of prose sections, but finding the right words for the haiku and tanka can be tricky. I have just about got enough for four submissions but |I need to get on with it as the final few short lines can end up taking a long time.

Just as I thought it was all coming back the hard facts indicate that I don’t have enough poems, and the ones I have, aren’t far enough advanced. There was a time when I used to have all my submissions queued up at the end of a month, waiting like caged greyhounds to hit the ground running as the new month  My theory was that if I was borderline but got in first, the later poems would have to be better than me to displace me and just being equally good would not be enough. Better, I thought, to be the first poem about getting old than the second, third or fourth. Poets are notorious for churning over the same few subjects, so if you can’t be original, or best, try being first.

Detail of the mouse

Now, as my energy declines, I find it hard enough just to scrape a few poems together by the end of the month. There is an advantage to this – the decisions seem to be faster and you have the rejects back in time to use them again in a timely manner. Using this system I have sometimes had a decision within hours, and the poems have been out again in a similar time span. I once had a poem that was rejected, submitted elsewhere and accepted within a space of days.

However, as things stand, I need twelve poems of usable quality. Time moves on, and those twelve are now my priority. The great recycling project will have to wait. editors often remark on the number of submissions they receive, but it’s also true that there are more editors out there than I can submit to. I just can’t write fast enough. October is a month with no haibun submissions planned, so the recycling can start then, as can the production of the next batch of haibun.

Two sizes of wheatsheaf loaf

Pictures are from September 2016 this time.

Sixteen Swimming Swans

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Mute Swan – Rufford Abbey

This morning I thought of several poems whilst I was on the way back from dropping Julia off. This is the same time frame where I used to have all my best ideas. My brain is awake but the task of driving on a fairly clear road is not too demanding. At that point thoughts come into my head. I actually had my first idea before we left home, had a second as I dropped her off and had several more on the way home. No pad, no voice recorder, just me repeating things to myself.

When I reached home I noted the ideas down and wrote the prose sections for five haibun. That’s more than I did in the last months – the ones I’ve submitted have all been written for ages and I have merely worked my way through them without originating anything. They have had a few tweaks, and have needed a haiku or a tanka here and there, but generally all my recent acceptances have been written for months. That, of course, is how it is supposed to be. People who know these things advise leaving work to mature.

Mute Swan at Clumber Park

I just looked back and realise that I have had three months this year when I have submitted nothing and that everything I have had accepted since March has been, and been rejected, at least once.

Since this morning I have had two more ideas, though I have not settled to write them yet. Even poets have to wash up and drink tea. One of the ideas is actually about drinking tea.

Swan at National Arboretum

If you’ve ever followed my creative process you will have noticed that things change and I’m more of an artisan than an artist. I don’t really have a creative process, despite what I just wrote. In three months it’s quite likely that the reflections on drinking tea will have become a poem about eating sandwiches. That’s how it goes. That’s how my poem about two swans flying by became a poem about sixteen swans swimming, and was eventually accepted and published as a poem about a cormorant.

If a poet’s studio is a serene place of beauty where words flow and great thoughts are written in flowing calligraphy, mine is more like a backstreet workshop where power tools scream and where things are bolted together roughly and beaten into shape with hammers.

Eventually I will rewrite the one about the two swans flying by.  I liiked it and it contained an idea that didn’t work with cormorants.

Guess what the theme of today’s photos is . . .

 

The Day Part 2

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Sunset, Codnor, Notts

It has not been a wasted day. I have mustered my rejects from the last round of submissions and have improved several of them. I have identified my new list of targets, including one that has resisted me so far.

In non-poetry matters i have cleared a small patch of desk and finished the first draft of an article on medallions. It’s only for the Numismatic Society but it’s a start.

Julia is at the hairdresser so I am now going to make soup and something for the evening meal. This is a twofold win. First it saves her having to cook and second it means the house smells good when she walks in. With any luck I will remember to tell her that her hair looks nice. I have a terrible record of forgetting that.

All that work and it’s only just mid-day.

Sunset and chimney pots

I made soup (sweet potato and chilli) and a mixed vegetable hash (though it could have been stew or more soup). This raises an interesting point bout my cookery. Change a few ingredients and it becomes something else. For a moment I felt guilty at serving general purpose slop over the years, then I realised that Sunday Lunch, roast pork and sausages with roasted veg are all basically the same thing too – just roasted veg with dead animals. Yes, you need Yorkshire pudding for one, apple sauce for another and different flavours of gravy, but they are all pretty much the same too. Having sorted that out in my mind I no longer feel so bad.

It’s not “chicken liver parfait, with pear chutney, pickled cranberry ketchup, chicken skin & toasted sourdough” as offered by one of our local restaurants, but it ill do. Incidentally, if I could be bothered I would definitely book a meal here – even at £45 per person for three courses it looks good compared to ringing Just Eat and ordering second class food to be delivered lukewarm. I suspect that one of my faults over the years has been that I have settled for second best. I like fried chicken, burgers and generic curry but “pork tenderloin with sticky miso glazed cheek, apple & BBQ hispi cabbage” sounds so much nicer. Maybe I should have valued myself more highly.

(And yes, I did remember to mention that Julia’s hair looked nice.)

Sunset, Langley Mill by-pass

More Rejection

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I had another rejection this morning. That’s two this month, though as it was a month of pushing the boundaries it’s not a surprise. I had four earlier in the year (three of which were actually competition entries). Over the years I have not had much luck with competitions – I’ve been commended twice, which is better than  nothing, but not great when you consider the cost of entry fees. As I said before, I have learned to cope with rejection over the years. I’m still no farter on with my thinking about the direction to take and the effort to put in.

I know I should be concentrating on writing haiku until I get better at them but I have two problems here. One is that I don’t actually know what “better” is. A lot of haiku I read don’t seem any better than mine, and in many cases feature things which, according to the various “guidelines” shouldn’t be in haiku (remember they very small poems with very large mounts of rules.) An editor i was in correspondence with recently told me that when they started writing haiku they decided which rules they were going to adopt and just kept plugging away. I might do that. Or I might just relegate haiku to something I do to fill in time on a slow month.

The other problem is that I like being published (though it’s not the driving force it used to be) and I’m lazy. I may as well write what I enjoy and what I’m good at. If I were being paid for poetry that’s definitely what I would do.

However, I don’t need to make a decision yet.

This morning I printed out four poems which I am sending to a magazine that sticks to the old-fashioned ways, including submissions by post. After printing and before sending off, I looked at them and realised the top one was a long way from “finished”. The second one was so bad it immediately provoked me into making notes on it. I didn’t follow up, as I had to get to work, but it was an interesting lesson. I suspect that reading words printed on paper, instead of on a screen,  triggers a new set of critical thoughts. Tomorrow I will set to revising. I may have to start printing everything out in future.

Now it’s time to get some work done and go to bed. I have a blood test at 7am so I need to get some sleep.

My Orange Parker Pen

A Tale, Told by an Idiot

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Do you remember a few days ago when I said ” from today I am going to set targets and become a writing machine”. Well I did. I set up my poem factory and set to work. I also found a few places to make more submissions and decided to target haiku. As a result, I had an acceptance today.

It’s part of the power of positive thinking. I was going to get rid of some books last week. They are mainly old sales and marketing books passed on by my Dad, but with some motivational books too.. Many of them are actually still relevant as good sales technique and positive thinking never goes out of fashion. There’s no mystique about it despite all the stuff that’s written. To make sales you ask the decision-maker for the order. To achieve success through positive thinking you do something, and you do it now.

That’s what I did – I wrote poems, I showed them to an editor and one was selected.

No jargon, no mystique, no spirituality, despite the reams of rubbish written on the subject. Just plain common sense.

The poem factory is a similar no nonsense set-up. It is anathema to all the proper, spiritual poets out there. They believe (and this is particularly true with haiku) that you should experience “a moment” and compose the poem there and then. Good on them. I’ve done it sometimes, but it’s not common.

Poems which are stitched together from memory or manufactured from two moments or, heaven forbid, simply made up, are known. scornfully. as desk-ku. It’s becoming slightly more common to admit to them now, but there’s still some snobbery on the subject. Even the old masters did them, but the myth of the haiku moment persists.

Anyway, I write a list of ideas or prompts, or open up  file of old photos, or even open a book of poetry and mine it for ideas. As T S Eliot said  “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.” I am, I feel, perfectly capable of taking an idea from a poem without copying the idea or the wording of the poem.

This is one I took from life, rather than nature.

I have dustier piles – trust me on this

a pile of books
the dust settles on my
good intentions

(First Published in Failed Haiku – forgot the date.)

This one is from nature, and done in the moment, but it doesn’t really convey the misty morning and the salty wind as we walked and watched seals.

Sea Buckthorn. I promise you there were goldfinches too, but I couldn’t get a good shot.

goldfinches
calling from the sea buckthorn
bright berries

(First Published in Presence 71)

This one was completely made up, but all the bits were true. Robins sing, blackthorn blooms early in the year and at the time, during Covid, we were forced to queue outside shops. I wrote it after queuing for a shop. I needed some props so I added the bird, the song and the blackthorn. Does it make me a bad man?

a robin
sings from the blackthorn
—we queue for the shop

(First published Wales Haiku Journal Spring 2021) 

Robin - singing

Robin – singing. OK, it’s in holly, but give me a break.

Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.

(Macbeth, William Shakespeare).

I may start stealing from Shakespeare next. Let’s face it, he stole all the time.

More Work, Less Play

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Finally I seem to be getting back in the groove and, for once, actually have things written in advance. Although I had enough for three submissions last night, it still took me the best part of two hours to send them off. Each magazine wants a different format, and even though they want the same information, they want it in different forms and in one case, are very keen that you do it in a very specific order. By the time I’d finished sorting all that out, I then noticed some ways to “improve” the poems one last time. Sometimes it works. Sometimes it doesn’t.

Anyway, it’s done. I’m planning on making six submissions this month. I’d better get a move on, because one of them closes on 25th and i haven’t started writing it yet. Out of the six, three are to places where I submit regularly. Two are to places I submit to irregularly (I’ve been giving them a miss recently, during my dry spell) and one is to a magazine that has never accepted anything from me, and where I haven’t submitted for about three years.

This is getting back to the old days when it was all about the submissions, and I had plenty of material to send. Recently, with less to send I’ve been playing safe and only submitting to the easy ones. This change of attitude is, I think, the last thing I needed to do to get back to the old way of doing things. All I need now is plenty of ideas. That’s another area where I’ve been struggling but it seems that as my writing is picking up pace, so is the generation of ideas. I have read articles that claim you get more ideas if you write more and so far it seems to be the case.

Of course, I’m a narcissist and I write to see my name in print, so the real test will be to see if I increase my acceptances, not just my workload.

Photo by Pixabay on Pexels.com

Scattered Thoughts

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During the course of the day I think of so much stuff that I could, if I made notes, probably write 5,000 words on my day and my thoughts. Obviously I won’t, as I’m disorganised and lazy.

As a result of yesterday’s planning I am gathering material for submissions. My normal practice over the last few months has been to get to the end of the month then decide only to submit a selection. Now I’m planning and have numbers to think about, I am looking at sending stuff to all the possible outlets and have even started writing haiku again. I’m a poor writer of haiku but I ned to improve as they are an important part of writing Haibun. I had stopped writing so many Haibun and transferred to writing tank prose because the tanka is much easier to write. Now, again as a reaction to the numbers, I find myself needing to improve my haiku to improve my Haibun.

I may have talked about my looming retirement a bit too much lately. I may also have touched on the idea that one of my new projects is making sure I live long enough to reach retirement. I note today that two well known personalities, George Alagiah (well known British news reader) and Trevor Francis (famous footballer) have both died. Alagiah was 67 and Francis was 69. They both seem to have been decent blokes over the years and it’s a shame to lose them.  It’s also a bit too close to my age for me to feel comfortable. I am about the age my Mum was when we had to stop her reading out the ages of people in the newspaper obituaries.

There is an article on the internet about writing. The title is “Surprising hobby could help older people stave off dementia – new study findings”. It suggests that writing letters, keeping a diary or using a computer could help reduce your chance of Alzheimer’s by 11%. Another story says “literary activities”. This is good news for anyone on WordPress.

However, why is it surprising?

Apart from the Alzheimer’s benefits I’m sure that regular writing keeps my mood up. I also know that blogging, and the people I “talked” to during lockdown, helped keep me stable in an uncertain time.

It’s no surprise to me tat writing is good for you. What do you think?

Orange Parker Pen