I spoke to Number Two Son in Canada last night. I had been intending to nag him for some time in a gently paternal way, but thought I’d wait for him to call as it’s cheaper to nag on his bill. As it turned out, he is ahead of me. He has already made some steps towards signing up to do some professional qualifications and is also seeking a pensions advisor to bolster his pension arrangements. Clearly we have a telepathic link. We all want our children to better than we have done, and both of mine already have. This is the advantage of starting off with a parent who is a fairly low benchmark.
A few nights ago I wrote the best poem I have ever written (apart from the one about the Kingfisher, but I’m keeping that under wraps for now). It has taken three years to write and has been through many versions. I sent it out last month and it came back, but I had another look, tinkered with it let it rest. I am going to look at it again tonight and see if I still think it is the best I’ve ever written. There is a chance I will spot a new crop of faults. Even if I do, it’s till going out again – after three years it’s time for it to do something. It’s a bit like kids – there’s a point when they have to go.
Unfortunately, it wasn’t quite as good as I thought, so I made a couple of changes (I hesitate to say improvements). looked at it and decided not to send it out after all. The real problem is the subject – the field that hosted the Battle of Naseby in 1645. I’m not sure if it’s a wide enough subject to appeal to editors. I’m still, in truth, smarting from being told that my Adlestrop poem was too obscure. That was in February last year and I’m still annoyed. I’ve just been looking to see if it was ever accepted elsewhere. The trouble is that there is a black hole in my record keeping after the computer broke down and that brings a lack of certainty. Did it go unpublished, or can I simply not find the acceptance?
My contention here is that if I am reading an American poem I am expected to, be able to place the South Boston Aquarium or a red wheelbarrow or a road not taken, so why not Adlestrop? When Frost wrote about the road not taken he was possibly referring to the road taken by his friend Edward Thomas , writer of Adelstrop and was wondering whether to stay with his family or to join the army. For back up I’m citing this article, which mentions Adlestrop and gives some brilliant examples. It’s only short, and worth reading just for the two examples.
Apart from the question of obscurity (which is easily solved by Google these days) how about a footnote? I personally find them condescending in most cases – is the writer merely seeking to show how clever they are? But they have their place.
The brilliant poem? In the end it wasn’t necessary. I found one that was just as good, tinkered and sent it off. This morning I woke up and thought of an extra line that would have improved it greatly . . .
As someone once said, you never finish a poem you just set it adrift.